Butterfly Cocoon by AR. Norris

It is a dying art form.

It started with Robert Cole and wound its way through Percy Gregg, C. I. Defontenay, E. E. Smith, Edmond Hamilton and finally culminated ( some people's opinion) in Star Wars.

We speak of interplanetary intrigue. We speak of.....SPACE OPERA,

Now Butterfly Cocoon isn't on the sweeping scale of the aforementioned, but...

In this day and age there are few writers who keep space in science fiction.

Something we still believe to be the purest form of the genre.

And it can be read...

Here

...at Aphelion.

As the olde maps say, "Here there be spoilers." We have no sympathy if you hit one for we've given you the chance to read it.

Robert Moriyama, Aphelion's Short Story Editor, had this to say when we inquired about Butterfly Cocoon:

"The story was chosen for a number of reasons, including the clear, matter-of-fact style of the opening paragraphs -- the author establishes both the essentials of the setting (a remote space colony) and the character of the protagonist (a bored veteran of an interplanetary police force) in a way that feels natural.

Of course, the assertion that the outpost was a place where "nothing ...happened" raises the expectation that something is /about/ to happen...

The disappearance of several people (with unidentifiable ashy residue left behind) places the story in the "locked room mystery" category (although the "room" is a very large one); the solution to the mystery, however, is distinctly in the realm of science fiction.

The reaction of the protagonist when she learns the truth is both funny and consistent with her established background, and provides a satisfying conclusion to the tale."

And with that having been said, all we can say is he took the words right out of our mouths. Since he did let's see if we can get a couple more...from the author if we might...

Interview

Review: Your story is science fiction. Of a type not that often seen anymore. Space. Where did you get the inspiration for it and are you influenced by the golden age classics in any way?

A. R. Norris: Inspiration for this story...I was watching a History Channel special on religion. They were covering the reasons you would be excluded entrance into heaven, based on the rules. It sparked a mental wave. What if an alien species sought out and collected those exiled souls? Maybe of an abstract variety, who absorbed them into a singular entity?

Review: Where does this story fall in your publishing "history?" First, last or somewhere in between?

A. R. Norris: Butterfly Cocoon is my first publication. It was the second short story I wrote since picking up the pen again last summer/fall, after a sixteen-year hiatus. I have dozens now and really enjoy the satisfaction short stories bring.

Review: If you were only allowed to read one author for the rest of your life, who would it be?

A. R. Norris: Isaac Asimov. Hands down. No debate.


Review: When you sit down to write what is the most annoying thing that can happen around you? (That is out of your control.)

A. R. Norris: The most annoying thing that could happen is everything becoming completely silent. Life is chaotic 99% of the time. If, for some odd reason, it gets quiet while I’m writing, my brain freezes up and I can’t think.

Review: Do you spend most of your time:

Writing
Reading
Personal life
Hanging around writing sites
A combination of the above

Elaborate?

A. R. Norris: Most of my time is spent in my personal life. As a married mother with four aliens to raise and a full-time career, it’s priority. Of course, that doesn’t mean I stop the writing process. In many instances, it’s while living life that I find my greatest ideas. Like most writers, I see the world as a constant brainstorm.

Review: In Butterfly Cocoon, other than Marie, who is the most important character - in your mind - irrespective of plot development?

A. R. Norris: The comet. I still debate with myself whether Marie or the Comet should’ve been the main character of the story. The comet is enlightened and sure of its motives. Even with such sound characteristics, it is able to expand its awareness and knowledge with every interaction. What better character foundation could an author wish for?

Review: The story ends with, "Well, do you know how to fly a Boomerang?" Don sent her a cocky grin. "'Cause I sure in the hell don't." Did you have other ending lines, or just came up with a good one right off the bat?

A. R. Norris: Interesting question. I wish I could remember the initial ending line for you but it was lame. Matter of fact, the original ending itself was weak. After fixing it, I pushed the incident from memory (mine and my pc’s).

Review: This will give an in-sight into your character.. You are an editor. You receive a story. Let's say it starts like..

."They was burning. All of them. Some was smoking to. And all becase they didn't know how too stop droop and roll. The fireman hosed them down with water and it burned too. But it didn't smoke too much like the people. Just burnin away and smoking they was."

How would you word a rejection notice?

A. R. Norris: Oh, man! What a difficult job that must be, holding people’s dreams in your response. I’m going to take the fifth on this one.


Review: Can you remember the first book you read that made you think, "Wow, I have to try writing?"

A. R. Norris: 6th grade. English class reading list. I selected The Time Machine by H.G. Wells. I never thought the same way again. How could I? The man wove an interesting book showing the results of class hierarchy, social blindness, and industrial revolution. Of course, back then, I was just a 12-year-old girl suddenly traveling through time. From that day forward, all my dreaming revolved around space and science, and writing those thoughts down.

Review: Oh yes, almost forgot the question asked of all authors. Any words for the aspiring writer?

A. R. Norris: Boy, that’s a loaded question for a novice writer. Okay, I’ll give it a go. It takes many rejections to get published. Don’t let the industry wear down your thick-headed determination. As my mom would probably say, “Being stubborn as its advantages.”

Review: Most writers start off as closet writers. It takes a lot of trust to hand your words to another person to read. To whom did you first show your writing and was their response anything like you expected?

A. R. Norris: This actually has two parts for me. There’s the safe choice I made first, and the risky choice I made when I decided to seek publication.

My safe choice was my sister. She is my closest friend and major cheerleader. She’s the most wonderful and positive person to have in your corner. The risky choice was an online critique group. The reaction was far less traumatic then I expected. They provide a lot of positive encouragement and great feedback.

Review: Do you want to do a shout-out to anyone?

A. R. Norris: Hmmm...shout out? Okay, I’ll bite, but it’ll have to be a little cheesy. I have to give a shout out to my husband. We’ve been together sixteen years and no other person knows me better. He actually enjoys putting up with my weird and often times odd personality. No other man would sit on the first evening of our honeymoon and watch The Man Who Fell to Earth.

Review: Here's your chance to ask and answer the question we didn't ask, but should have.

A. R. Norris: Is this the end of Marie’s adventures? Nope.

October Reviews

These are the proposed reviews and interviews planned for October.

Butterfly Cocoon by A.R. Norris
(short story/e-zine)
Review and Interview
October 5th


99 Coffins by David Wellington
(novel/print)
October 15th

13 Bullets

13 Bullets

by David Wellington

This book may be purchased:

Here

Three vampires walk into a bar and are asked by the waitress ‭what they'd like to order.

The first one says, "Nothing for me, thanks. I just‬ fed on an elk."

The second orders a bottle of imitation blood.

The third rips her head off and drinks from the stump of her neck.
‭
Which one is David Wellington's vampire?

‭ Awww, you guessed it, but that's about all you'll guess from here on out about his book.
‭
If you are like us, before you read a book you study every aspect of it you can find on the lovable, brain-sapping Internet. We were intrigued by the fact that people either loved it (majority) or were only lukewarm about it (minority)...
‭
...but everyone was compelled to read it in its entirety.
‭
That in itself is high recommendation for any book.
‭
As we have ever so subtly hinted there is some rather graphical violence. How much? Well it gave our editor nightmares. Now that's an achievement.‭

Laura Caxton is a Pennsylvania State Trooper. Efficient, dedicated and pursuing life as normal. Right up until a traffic stop opens her eyes to a dark world. Caxton is not a gratuitous sex object or fantasy in this book . We mention this in passing as the reader is not beaten over the head with graphic sex themes and the few sexual situations in this series are much more subdued than most books of this genre.
‭
Oh, and she is a lesbian. Just a fact of life that is part of the character development and that‬ character is both well rounded and an excellent yin to the yang of...
‭
...‬Jameson Arkeley. ‭ Special Deputy Arkeley, is rather frightening in his own right. How frightening? If given the choice between being locked in a room with either a vampire or Arkeley I would have to say, "Give me a few minutes to decide."
‭
He's a bit like the Jack Crow character (played by James Woods) in the Carpenter movie Vampires. Only older and without a sense of humor. Sigh...okay, imagine ‬Hannibal Lecter with a badge. His bane of existence is...

...Justinia Malvern. Vampire, cute, well mannered, misunderstood...

NO! No way.

This character is the essence of evil, make no mistake. Vampires in Wellington's world are immortal, next to impossible to kill and EVIL. The older they get, the more blood they require; right up to the point of diminishing returns. Malvern is interred in an asylum to keep her safe from the world and the world safe from her.

Just didn't work that way because her evil cannot be contained by such mundane methods.

*As we note Wellington's accuracy we know somebody is going to jump on the bandwagon for his mentioning the smell of Cordite. Yes it has not been used for decades and never for loading in a .40 pistol cartridge. It has, however, become the literary standard to describe the smell of gunpowder. Let's face it...if he had said, "the smell of HiSkor700X," where would that leave the reader?
‭

‭ Review: In 13 Bullets we noted accuracy in several areas. You wrote accurate descriptions of things such as Special Deputies with the U.S. Marshals and Pennsylvania law enforcement. I mean not everyone knows the standard magazine capacity of a Glock 23 in forty caliber. Do you perform a lot of research, delve into things you have a personal knowledge of, or both?
‭
Wellington: Research is probably the most time-consuming part of my writing process, but it's also potentially the most fun. I know more about the Civil War now, after writing 99 Coffins, then I ever imagined I would--it just wasn't a topic that interested me, until I started doing the research. Then I just couldn't get enough. I devoured every book I could find and went on a research trip to Gettysburg. Usually my research starts from things I think I have personal knowledge of. The vampire books are set in Pennsylvania, where I grew up. But I've learned never to trust my own memory, so I research all the things I thought I knew--and usually I discover that I had most of it wrong, or that the subject is actually far more complicated than I believed. That's a great moment, for a writer, because suddenly the light bulbs start popping in your head like an old-fashioned telephone switchboard. Research is where I get all my best ideas.
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Review: In a day and age where most vampires either sparkle, or hang out in bars, you went with the Nosferatu types which are truly monsters and frightening. Why?
‭
Wellington: Well, where's the fun in doing what everybody else is doing? Plus, I grew up with scary vampires. Dracula was kind of sexy--but he was also a lot scary. To me a vampire is a monster. It's not somebody I want to date.
‭
Review: On a web site we found the most amazing, short, U-Tube clip called 13 Bullets - The Evolution of Horror.

Whoa! That clip was better than most movies. Speaking of which, what are the chances of a movie?
‭
Wellington: Hey, thanks! Well, the book has been optioned and there are people working on it right now. They don't tell me what they're doing, and I don't pester them. It's a good relationship in that way.
‭
Review: Now, of course, an obligatory question that everyone seems to ask (and for good reason.) Any words of wisdom to aspiring writers?
‭
Wellington: If you're going to make it, if you have what it takes, stop asking other people for advice. Or ask everyone you meet, but take what they say with a grain of salt. Seriously, the only way to improve as a writer is to write, and the only way to succeed in writing professionally is to submit. If you don't think you're ready, you're not. If you know you're ready, you're probably wrong, but go ahead and try. If you really need advice, then the best thing I can say is: keep writing. Every word you type makes you a better writer, whether it works on paper or not. Learning from your mistakes is crucial, and to do that, you have to make the mistakes. So write. And keep writing. It took me thirty years to get published, but it was worth it.
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Review: As a writer, you have much work on the web. What do you envision the future of E-Zines and the electronic devices, such as Kindle, to be?
‭
Wellington: I think we'll move to a model where most fiction is only available electronically. Books will sell for ninety-nine cents, like songs on iTunes do now, and people will buy them if they look vaguely interesting. If you can keep their attention, people will come back for more. If you bore them, well, that's ninety-nine cents they lost, instead of twenty-six dollars (for a current hardcover). Paper books will always exist, but they'll actually increase in price--you'll pay fifty dollars for a book you truly love, one which inspired you to change your life, right? We'll probably go back to leather bindings and nice endpapers for those, and if you have ten books on your shelf, people will be impressed. But everybody will have a thousand books on their telephone. As for the Kindle and the eReader and such, I've seen them, and I liked them quite a bit--but I wouldn't want to carry them on the subway. They're just too big. I'm reading Jules Verne right now on my iPhone and have no trouble with the screen. I'd gladly read more books that way.
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Review: The character, Arkeley, is at times almost as scary as the vampires. Were you ever tempted to make him more, um, warm and compassionate?
‭
Wellington: No! I actually had to tone him down! Arkeley represents what human beings have to become if they inhabit the same world as the vampires. Tough, committed, and unsentimental. He's a fighter, a killer, and he'll sacrifice anything to get the vampire he's after. As the series evolves, Laura Caxton has to decide how much of her own life she's willing to give up. Fighting monsters isn't for nice guys.
‭
Review: People are always comparing your vampire stories to your zombie stories. Seems like apples to oranges at times. What I, personally, would like to know is…which did you have more satisfaction in writing?
‭
Wellington: The zombie stories were written in real-time, that is, I put each chapter online as soon as it was written, three times a week until they were done. That made for anarchic books with an incredible amount of energy. A blast to write, but exhausting, and not very deep. The vampire books I took my time with, building atmosphere and character until I was almost too scared to write what happened next to Laura Caxton. So the zombie books were more fun, but the vampire books were more satisfying.
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Review: The book design is dark and foreboding, with that theme following through in dividers inside the book. Very effective. Who came up with that idea?
‭
Wellington: That was all my publisher. I had each section separated with a quote, and named (usually) after the vampire Laura Caxton is currently chasing--I wanted to give a sense that she was closing case files, or perhaps that each vampire was deadly enough to warrant his/her own book. The art department at Three Rivers Press is fantastic, they totally got that, and so each new section starts with a black page--like the black page in Tristam Shandy, which marks a very significant death. I love the way these books look.
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Review: In your opinion who was the best actor to ever portray the ultimate vampire on the big screen?
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Wellington: There are so many facets to the vampire, you'd have to pick one for each. I'd say that Bela Lugosi will always be my favorite, since he invented a whole new kind of vampire for the movies. He's based on Stoker's character, but he adds so much aristocratic charm and privileged evil. But then I have to say my favorite vampire movie right now is Let the Right One In, which even if it's the most recent "real" vampire movie, is one of the best ever made. The actor who plays Eli in that movie is absolutely perfect.
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Review: Ah, now to slip in a curiosity inquiry, thinly veiled as a technical question. When you write is it in a rigidly controlled setting (set time, place and duration), the three o’clock in the morning – underwear and cold cup of coffee, or something in between?
‭
Wellington: I can write anywhere, anytime. I can block everything out and just work. That comes from years of living with bizarre roommates or in noisy neighborhoods, in cheap little apartments. When I have the choice, I like to write in the morning and then have all afternoon for research and outlining. After dinner I usually want to relax.
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Review: In your books you have to accept the curse and commit suicide to become a vampire. If this is the case how was the first vampire created?
‭
Wellington: Well, we haven't seen that yet in the books, have we? So maybe I have a nice surprise waiting for my readers...
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Review: We know what Malvern is like now, but how do you envision her before she became a vampire?
‭
Wellington: She talks a little about herself in 23 Hours. She ran a gambling house in 18th century England. She ran in fashionable circles and spent a lot of money, but was neither rich nor titled herself and therefore ran up some pretty serious debts. She was an extremely intelligent woman, and one who thrived in a time and place where women were considered second class citizens. She was a very sophisticated and cunning opponent, even when she was alive, and vampirism just made her more like how she saw herself in her mind's eye.
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Review: This is the “stack the deck” question, where you get to say, “why didn’t those dip wads ask a neat question like, ____________________?” Now you get to answer the question you wished we had asked, but didn’t.
‭
Wellington: Ah, the infamous 13th question. Well, I'll tell you the answer, but not the question. The answer is, "It was a little uncomfortable at first, but once I got used to it, I couldn't remember living without it.".
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Review: And so our review of 13 Bullets and its author, David Wellington, with the final 13th question and answer is finished.
‭ Is 13 an unlucky number?
‭
A resounding "NO."
‭
We consider ourselves lucky to have been granted an insight into the mind of such a remarkable writer.

‭ ‬With that we thank David Wellington, author of 13 Bullets and thank YOU, the reader, as well. Remember, if you have a recommendation for an on-line short story or print book...drop us a line.

A Box Full of Nothing

by Arthur Sanchez

This story can be read in its entirety:

Here

What do Richard Matheson, Harlan Ellison, Ray Bradbury, Ambrose Bierce, Damon Knight and Arthur Sanchez share in common? Richard Matheson, Harlan Ellison, Ray Bradbury, Ambrose Bierce, Damon Knight all had their work, or versions of their work, on the Twilight Zone. Arthur Sanchez's work would fit right in.

A Box Full of Nothing by Arthur Sanchez is a good read and story.

Why, you might ask, should I read a story that is good and not great?

Because there are damn few good stories out there.

Good is not a put-down. It is rather high praise. Mr. Sanchez puts aspects in his story that are so often left out. You see it is an actual story, not just a snapshot of life. It is more than a pretty picture painted with words. People interact, but more important the characters grow and evolve. Easy to do in a book, but not so easy in a short story.

It doesn’t start out with a strong and obvious hook, but rather a garage sale. What makes this work is the fact that in the story the writer gives us a reason to care about this particular garage sale.

While the opening paragraph has only a slight hook, it is a comfortable one. That feeling entices the reader to continue. If the writing were a food, it would be a comfort food; one that is easy to digest and not a struggle to keep from being intimidated. One you come back to willingly, time and time again.

Details are added to the story that makes the characters come to life, but the details are not crammed down the readers’ throat. Witness the excellent paragraph which introduces the second character. It builds curiosity as the character depictions are well written, but not over-written.

Objective:

The story shows polish in the lack of grammatical errors, punctuation errors and spelling mistakes. That might not sound like a big deal, but consider this…most short stories are proofed and edited by their authors. Even with common spell check it is easy for a mistake to occur if and when it accepts a word like “red” instead of “read.” In the three thousand eighty-eight words of this story we noted no failing. Often times writers treat short stories as almost disposable. Mr. Sanchez does not.

Plot:

***SPOILER ALERT***

You have been warned.
‭
(‬Please realize this is a synopsis…a clumsy retelling that in no way reflects the quality of the author’s writing.‭)

The main character,‭ ‬Brian,‭ ‬is having a yard sale containing items which once belonged to his uncle‭ – ‬Max,‭ ‬who is now dead.‭ ‬We learn that Max had been a theoretical physicist who chose his work over his family.

Brian is tired and has been watching a woman who has been‭ “‬shopping‭” ‬the garage sale for several hours and is trying to pull a fast one by stuffing a box with valuable items on the bottom,‭ ‬junk on top,‭ ‬then preparing to make a low offer on what is apparently junk.

Sounds like a standard story of the suburbs,‭ ‬eh‭? ‬Well now it’s going to turn that elusive corner that takes the reader down the street known as What If Drive.

When the woman approaches to buy the box, the characters solidify in our mind. The writer shows us a hidden story behind the story in that she had been a colleague of the deceased and perhaps more.

Then the wooden box is found. A box that is empty, but sports a hidden compartment. In the course of Brian attempting to open the hidden compartment the woman becomes agitated and offers a large sum of money, piquing Brian's curiosity even more.

When he finally pries open the hidden compartment it has nothing in it. Literally. It starts sucking the air into it and does its best at getting his hand. When disaster has been averted, it is explained that Max had created a box filled with nothing and nature always wants to fill a space...with whatever is available.

Brian is still incredulous and has a hard time believing. He is told...and here is a line that is like looking into an infinity of mirrors:

"Everyone has a box full of nothing. Your uncle just had more of it than most."

The story then slides back into the "normal" world of light chit-chat and new friendship.

Publishing:

This story appears at Anotherealm and is 3,088 words long. The black font against tan background, along with the uncluttered posting of the story make it reader friendly and easy to read in its entirety at one sitting. Text is posted with a ragged right edge, rather than justified. The only "flaw" noted was the publishing of ***something*** which is the author's instruction to put the word in italic. Didn't happen. One out of 3,088? Not bad.

Interview With the Author -

Review: Where did the idea of combining a garage sale with science fiction come from?

Sanchez: I think garage sales are perfect breeding ground for the fantastic cause you never know what you are going to find. You don't know an object's history or its significance (if it even has one) so you are free to make up your own. As a writer of Speculative Fiction, I wanted to explore the idea that there could be more than an undiscovered copy of the Mona Lisa lying amongst the junk. I did write another story called Knock on Wood where a man buys a table at a garage sale and ends up with a wood nymph he can't handle. So in this story I wanted the object to have a significance based more on science than fantasy.

Review: Where was your first story published and what was the name of it?

Sanchez: My first published story was more of a narrative poem called, The Things a Man Would Fear. It was published by 2 AM Magazine.

Review: You have evidently had a good run of creativity. How many stories have you had published?

Sanchez: I believe the count is around one hundred. I've had stories published in everything from on line E-Zines, micro-press anthologies, to Chicken Soup for the Soul.

Review: Then we must ask, how many books have you had published?

Sanchez: To date I have self published two short story collections. Both of which can be purchased from my web-site...

Arthur Sanchez

... was that a shameless plug? I'm still waiting for that chance to get one of my novels published.

Review: We have compared you to several writers, but what author(s) has influenced you the most?

Sanchez: William Shakespeare for the beauty of words. Ernest Hemingway for the simplicity of a sentence. J.R.R. Tolkien for epic scale and grandeur. Stephen King for the evil that men do. Terry Pratchett for not taking the world (or myself) too seriously.

Review: With the good comes the bad. What do you dread the most about writing?

Sanchez: The blank page. It’s a cliche but it’s true. The toughest thing is to start writing. For the longest time I thought you had to have the whole story in your head when you started. It wasn’t’ till I realized that a story grows and evolves as you write and that it doesn’t matter where you start so long as you got started that I overcame the fear of the blank page. Now I write whatever I have in my head and don’t worry about where it’s going. When I’ve exhausted that material I go back and see what I’ve got. Is it a beginning, a middle, or the end? I then build off of that, going forwards and backwards, as the story demands.

Review: What do you like the most about writing?

Sanchez: Telling a good story. If I can get the reader to smile, laugh, cry, or even be angry, I’ve told a good story.

Review: When did you start writing?

Sanchez: High School. Like many of us I wrote these god-awful poems filled with angst and dark thoughts.

Review: If there was a raft with three people on it, a fellow writer – a publisher – and an editor; if you could only save one, which would it be?

Sanchez: It has to be the writer. It all starts with the word. Though a good Editor and a good Publisher are both vital to the process, without the writer there’d be nothing to edit or publish.

Review: Reviews often vary from reviewer to reviewer, so lets cut to the most important reviewer. What is the worst and best thing a reader ever said to you?

Sanchez: The worse thing was: “It’s o.k., I didn’t really get it.” To me, I really missed the mark if the person didn’t even dislike the story. The best thing was: “When I need to relax I sit and think about your stories.” To have a story stay with a person, so that they enjoy remembering it, means I was able to make words on a page come to life. It’s a kind of magic and it’s not easy to do. At least, it’s not easy for me.

Review: What is the first book you can remember reading that you liked?

Sanchez: J.R.R. Tolkien’s “The Hobbit.” After that book, I went looking for books to read. Prior to that, books were just class assignments.

Review: Have you ever thought of (or have) quitting writing?

Sanchez: Yes. Several times. But I had an acting teacher who once said to me: “If you can be happy doing anything else in this life then go do it. This is too tough a profession if you don’t absolutely love it.” Writing is like that. Gotta love it. I eventually discovered (after all the times I hung it up) that I actually love it.

Review: What is the biggest mistake writers make?

Sanchez: Taking themselves, their craft, and their stories too seriously. Too many people tie themselves up in knots for all the wrong reasons. So I’d tell anyone who wants to write to lighten up. You don’t have anything to prove to anyone but yourself. Your stories are good so long as you like them. You ARE a writer the moment you start to write. Being a published author is not the same thing as being a writer. Decide which you want to be. You get better by doing and not by complaining. Even the world’s best story will get rejected because it “really DOESN’T meet their requirements.” Move on and submit again.

Review: If you could have dinner with any author, alive or dead, who would you pick?

Sanchez: Terry Pratchett. The man is brilliant but unfortunately he’s been diagnosed with Alzheimer’s. His “Diskworld” novels are witty, satirical, and often have great insight. It’s very sad to know that his abilities are slowly slipping away. I’d love to sit and talk with him.

Review: Your views on the new “Vampire Craze?”

Sanchez: I’m not into it myself but anything that gets people reading is a good thing. So bring it on. I’m working on a Werewolf novel so I hope to get in on the next big craze. ;-)

Review: What is your favorite joke?

Sanchez: Well, a Scotsman once told me a joke involving the Scots, kilts, and some sheep but I don’t think that would be appropriate here. I think one of the first jokes to stay with me was one about three Orthodox Jews who, out of genuine curiosity, attend a Catholic Mass. The Priest, put off by people of a different faith being in his church, proceeds to make announcements designed to make the men leave. Two of the three do but the third stays. Finally, in a desperate attempt to make the man go away, the priest actually declares that all the Jews must leave the building. At which point the statue of Joseph gets up, turns to the statue of Mary, and says: “Grab the kid, Mary, we’re out of here.”

I’m Catholic, and the joke was told to me as a playful jab at Catholic intolerance. But to me it’s a great play on perceptions. The priest allows his bias to cloud his perception and in the end insults the very thing he thinks he’s defending. The joke not only shows up the folly of prejudice and intolerance but it reaffirms that we’re all connected. We are all one human family.

Review: What bad habits do you indulge in while writing?

Sanchez: Hmmm, I’m fairly focused when I’m writing so I don’t do a whole lot more than actually write. My bad habits kick in when I’m NOT writing.

Review: If you could change one event that occurred in your writing history, what would it be?

Sanchez: I mentioned figuring out that the best thing to do is to just write and let the story grow from your words. I wish I’d figured that out ten or fifteen years earlier. I’d probably have 200 stories published AND a couple of novels.

Review: What was the most fun writing endeavor you have done?

Sanchez: I was recently published in an anthology called: “Sha’Daa Tales of the Apocalypse.” The story I wrote (about a young monk who has to save humanity from a Demon invasion) was tons of fun. And the “Sha’Daa” anthology came about in the most unusual way. Imagine a writer (Mike Hanson) coming up with an idea and recruiting a dozen other writers (none of whom he’s ever met) to embark on a journey designed to produce a collection of short stories based on a common thread that runs throughout each of the stories. It was a wild concept and the journey from idea to publication was just as wild.

Review: What would you like people to say at your funeral?

Sanchez: “I told him that redhead was trouble.”

With that we thank Arthur Sanchez, author of A Box Full of Nothing and thank YOU, the reader as well. Remember, if you have a recommendation for an on-line short story or print book...drop us a line.

September Reviews

These are the proposed reviews for the month of September.


A Box Full of Nothing by Arthur Sanchez
(Short Story/E-Zine)
September 5th
(Review & Interview)

13 Bullets by David Wellington
(Novel/Print)
September 15th
(Review & Interview)

Anotherealm
(E-Zine)
Pending
(Interview)

S.O.A.P.

Reviews will follow the SOAP formula:

SUBJECTIVE: Pros and Cons that constitute our opinions.

OBJECTIVE: Writing principals, polish. grammar and (yes) spelling.

ASSESSMENT: A brief synopsis of the book or story.

PUBLISHING: How and how well the work was formatted and presented to the reader.

Reviews, or portions thereof, may be used by the respective authors and publishers.

INTRODUCTION

Each month we will perform a review of one print book and one E-zine story.

Who is we? A published author, retired editor and an avid reader.

The e-zine story can and will be of any length and must be currently available for viewing on line.

The book shall be one we purchased. We do not accept free copies. In that fashion we buy the copy, the writer or publisher does not buy a sugary sweet review.

We do accept requests and recommendations. These should be sent to:

indypressreview@yahoo.com

Please note! We are not an E-zine. We do not publish works, nor republish the works reviewed here. Brief quotes may be used if said permission is so stated in work(s) reviewed.